Upon viewing the sinmyŏng narrative, audiences may or may not experience sinmyŏng emotion. Contrary to the traditional view that the sinmyŏng narrative is storytelling that evokes the sinmyŏng emotion among audiences, whether audiences actually feel sinmyŏng is not a critical factor but a secondary consideration in determining what the sinmyŏng narrative is. This is similar to the love narrative (e.g., romantic comedy), in that the story of people's love affairs does not necessarily evoke the emotion of love among audience members. Contemporary theories of emotion expression firmly support this view (e.g., Battin, et al. 1992; Kelly 1998).
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